The Spring Musical: Haunting, Challenging, Beautiful!

March 3, 2026 / Abigail Cook
Lewis Yoder ’26
Lewis Yoder ’26

Marshall Nichols ’26 as Dom Claude Frollo

The curtains have closed on what has been an amazing run of “The Hunchback of Notre Dame” at EMS, leaving the audiences moved by the haunting beauty and emotional depth of this production. Under the expert guidance of Director Joy Anderson, this adaptation has been a resounding success with its powerful storytelling and musical brilliance.

In her Director’s Notes, Joy shared her reflections on the production’s unique approach: “Oh, how I do love a happy ending. Jane Austen novels, Shakespeare comedies, quality sitcoms – they all lead us through the ups and downs of a good story, but once you know the formula, you can sit back and enjoy the narrative…” However, she reminds us that this particular musical, rooted in Victor Hugo’s novel, departs from the comfort of a tidy conclusion. Instead, it challenges audiences with an “unsettled feeling and questions.”

Joy expressed her gratitude for the incredible team that brought this complex tale to life.

“It is a story worth telling, and I am endlessly grateful to the people who have poured their time and hearts into helping to tell it,” she acknowledged, highlighting the invaluable contribution of the community choir who, alongside the student performers, enriched Alan Menken’s score with their voices.

The narrative of “The Hunchback of Notre Dame” delves into themes of inclusion and empathy, as expressed in Joy’s insightful notes: “Hunchback is a story about outsiders, represented by Quasimodo, a young man with congenital physical deformities, and by the Romani people who live in Paris and interact with the townspeople.” Through this lens, the musical transcends a simple tale of good versus evil, inviting audiences to explore the intricate layers of human nature.

Lewis Yoder ’26 as Quasimodo also played by Jackson Comfort ’26, Sienna Kauffman ’27 as Esmerelda

The production owes its success to a dedicated ensemble of cast and crew members. Standout performances by the cast brought a depth and maturity to the characters. The technical brilliance of the set design (Malea Gascho and crew), lighting (Mark Gornto and crew), and sound (Nathan May and crew).

Joy concluded her notes with a powerful call to action:

“This is not the end. This is not all. And here is what we are supposed to do when the world is cruel and ugly: Work to create those times and be one of those people who is not. Telling these stories is one way to begin this work. Thank you for being part of it.”

The success of “The Hunchback of Notre Dame” shows the power of theater to provoke thought and inspire change. The production has not only entertained but also moved audiences to reflect on their role in creating a more inclusive world. Bravo to Joy Anderson and the entire team for a memorable and meaningful theatrical journey!

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